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Here MCGUIRE RICHARD 9780241145968 Books

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Here MCGUIRE RICHARD 9780241145968 Books

Hey fellow Amazoners. I'd like to start off this review by saying that I'm an avid comic book reader (mostly of DC and Batman stuff). If you read superhero type comics, then this will be a totally different experience than what you're used to. This graphic novel is like nothing I’ve ever read before. it's a seemingly simple concept that manages to deliver a multilayered and intriguing tale that tackles the old thought of “if these walls could talk”. It's a story that follows several narratives over time from the perspective of one corner of a room. These stories, though separated by mass stretches of time, some how interweave and connect on various levels ranging from deeply thought provoking to humorously mundane. There's a certain mystery to some of the stories as elements are revealed in tiny subtle fragments at a time. It is up to you, the reader, to piece these fragments together in order to see the full picture.
It was truly a joy to flip though these pages and it was a pleasant break from my fast-paced Batman comics. It's not for everyone since the concept is so unique, but if you’re into unique and original graphic novels, then you will most likely find this enjoyable.


Tags : Here [MCGUIRE RICHARD] on Amazon.com. *FREE* shipping on qualifying offers. Here Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels,MCGUIRE RICHARD,Here,PENGUIN BOOKS,0241145961,Comics & Graphic Novels - General

Here MCGUIRE RICHARD 9780241145968 Books Reviews

A new language in graphic novels has arrived. It tells a story by not telling a story. It can explain eternity in a small suburban living room. It proclaims statements on the human condition, precisely by not telling a story about humans.

The pages contain mostly a few meagre frames, always of the same threadbare room, tinted in the palette of faded memories, yet the myriad stories they tell us! The way they overflow through time and space, with their unique power to summon our sense of insignificance, and celebrate our uniqueness at the same time, and most importantly, their refusal to be shackled into a single genre all of these breakthroughs conspire to give us a breathtaking and stunning experience that is Here.
Here is a text unlike anything I have ever "read" and has to be seen to be understood; I unfortunately cannot do justice to describing it as I have not entirely figured out how to describe it. In essence, Here is a graphic novel, wherein each page is a two page spread of the same space shown from the same angle. Each page has a primary backdrop of this space with its year identified, then inserts vignettes of other periods throughout history (and the future) of something else happening in that same space. And through these vignettes, the author is able to comment so much on life, what it means to be human, the importance and meaning of a space, how we all age, love, loss, our habits, and, ultimately, how we are all - in some way - connected through time.

There is no narrative in Here, but it is full to the brim with stories. It is non-linear. You could have 5 pages in a row set in 1972, with the main action spanning only a matter of moments - with peeks into other times where something similar (or something irrelevant) were happening in the same space. On the other hand, one page may show 3,000,000,000 BC and the next 1915 and the next 1775. The space itself is the main "character." But through the timestamps, you come to identify other characters and flip back and forth watching their lives progress. Sometimes a vignette covers some detail in the room, to be revealed later by carefully noticing that the time of the setting was the same as something previously glimpsed. It seems every image is extremely deliberate and packed with meaning. Here is driven by subtext and attention to detail - yes, there is some dialogue (sometimes a "conversation" spanning centuries, unbeknownst to the characters shown in the space, but offered clearly clear to the reader), but not such that it is used as the driving vehicle of the text. Spoken word is offered more as a reflection. I could not put this down - when it first arrived I flipped it open and, immediately intrigued by the concept, flipped around a bit. I got home from work and started at page 1. Before I knew it, I was a small chunk of the way through and absolutely needing to attend to something else - I begrudgingly put it down. The next time I picked it up, I did not put it down until it was finished, and I had sufficiently flipped back and forth to get a clear picture. It is a mesmerizing work and it is entirely unlike anything else I know.

I have never experienced something where the medium itself plays such a role in the narration, is so defining, and is so unique. There were moments where my jaw dropped out of disappointment of shock at something happening in the space. There were times I would smile as something relatable to my own life was captured. There were moments of deep connection, seeing what life for my parents must have been like (even moments I felt I almost recognized from photos of their youth) or of my more distant ancestors. There were times I chuckled at a clever use of medium by the author, and numerous times I simply had to stop to say "that is brilliant. Simply brilliant." There were revelations, when something was uncovered, or a character reappeared that force deep introspection. The visual medium (and simply, blotchy almost watercolor style artistry) made this a history tangible in ways text alone never could be. And beyond that, given the static viewpoint, the role of perspective, and the way objects appear as different sizes and play with perspective in the space across time, make this a joy to look at and something that makes you want to pay attention to the details.

Overall, Here is shockingly powerful and a massively pleasant surprise. It has the emotive force of great art, provided as a collection that I bet will reveal more and more with repeated visits, and which begs to be revisited. It has been a long, long time since something has been so fresh and has so resonated for me.
This was released near the end of 2014 and Chris Ware (of Jimmy Corrigan and Acme Novelty Library fame) wrote a fascinating review for the Guardian on December 17 that year. He wrote that this was "mind blowing" and incredibly influential. A 6-page version of this 300+ book appeared in Raw comics in 1989 - and Ware claims that it was hailed as monumental back then. I highly recommend reading that review after finishing this masterpiece.

It's the story of a place on Earth - a specific place. All the action is centered in a living room of a house. This house exists from the early 1900's into the mid 2100s. McGuire moves us far back (to 1870, 1775, 1620, 3M BCE) and forward (2051, 2113, 10000 (or so)). We see what was in the space before the house, way before the house, and after the house.

The time of the house's existence gets the most attention, and we see the wallpaper and paint change from 1914 to 1933 to 1959 to 1971 to 1986 to 1999 to 2007 to 2016. McGuire does an amazing job illustrating different chairs, clocks, televisions, clothing, lamps, paintings, tables, toys and other items that define a place in time. Those details are truly remarkable and stunningly accurate - it would be fascinating to watch or read an interview with Mr. McGuire and find out how much time he put into researching the Tiffany lamp or the old wooden rocker and other items.

Most significantly, he shows us how humans (and creatures) are all after the same things eating, communicating, sleeping, romancing...simply and positively living. We see several families come and go, husbands and wives interact, children go, people age and die.

Even though it is never said, the house is set in NJ. It is evident because Benjamin Franklin and his son have a quarrel in a neighboring house in 1775. Franklin's son was the last colonial governor of NJ.
Hey fellow ers. I'd like to start off this review by saying that I'm an avid comic book reader (mostly of DC and Batman stuff). If you read superhero type comics, then this will be a totally different experience than what you're used to. This graphic novel is like nothing I’ve ever read before. it's a seemingly simple concept that manages to deliver a multilayered and intriguing tale that tackles the old thought of “if these walls could talk”. It's a story that follows several narratives over time from the perspective of one corner of a room. These stories, though separated by mass stretches of time, some how interweave and connect on various levels ranging from deeply thought provoking to humorously mundane. There's a certain mystery to some of the stories as elements are revealed in tiny subtle fragments at a time. It is up to you, the reader, to piece these fragments together in order to see the full picture.
It was truly a joy to flip though these pages and it was a pleasant break from my fast-paced Batman comics. It's not for everyone since the concept is so unique, but if you’re into unique and original graphic novels, then you will most likely find this enjoyable.